Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.
MOVIES
— Multiverses are all the rage. Following its theatrical release in May, “Doctor Strange and the Multiverse of Madness” arrives Wednesday on Disney+. In it, Benedict Cumberbatch returns to the mystic-arts Marvel character and reckons with some of the fallout from recent developments in the MCU, particularly in regard to Elizbeth Olsen’s Wanda Maximoff. Directed by Sam Raimi, the movie bears some of the comic horror trademarks of the “Evil Dead” filmmaker. In her review, AP Film Writer Lindsey Bahr said all the plot juggling “feels a little bit like wheel spinning.” But “Doctor Strange” isn’t the only multiverse movie available at home right now. One of the year’s breakout hits, the brilliant existential blender “Everything Everywhere All at Once,” starring Michelle Yeoh, is currently available for digital rental.
— In another universe, “The Man From Toronto” would have been released in theaters by Sony Pictures. But the action comedy starring Kevin Hart and Woody Harrelson, was instead postponed during the pandemic and sold instead to Netflix, where it will debut Friday. Patrick Hughes, who helmed “The Hitman’s Bodyguard,” directs the buddy comedy with Hart as a regular guy brought into Harrelson’s hitman’s life when they’re mistakenly booked at the same Airbnb.
HONS
This combination of photos shows promotional art for "Doctor Strange and the Multiverse of Madness” available for streaming Wednesday on Disney+., left, and "The Man from Toronto," a film streaming June 24 on Netflix. (Disney/Netflix via AP)
— If you haven’t caught it yet, “RRR,” very possibly the movie of the summer, is streaming on Netflix where the international sensation is regularly ranking among the streamer’s most-watched films. The Indian blockbuster, directed by S. S. Rajamouli, is a Telugu-language three-hour spectacle set in 1920s colonial India about a pair of revolutionaries (played by Ram Charan and N. T. Rama Rao Jr.) who team up on an outlandish rescue mission with some truly eye-popping action sequences. As viewers are learning, the giddy, extravagant heights of “RRR” wildly surpass the brio of most Hollywood fare.
— AP Film Writer Jake Coyle
MUSIC
— The coolest new name in rock is back when Soccer Mommy releases “Sometimes, Forever,” an album with weirdness and awesomeness and weird awesomeness. Sophie Allison, the principal songwriter, has joined forces with producer Daniel Lopatin of Oneohtrix Point Never for a breakout album, with layered textured stuff in every track. “Shotgun,” the lead single, is a propulsive, brilliant love song to a partner who only keeps cold beer and ice cream on hand. “The only things we really need,” she sings. Cheers to that.
HONS
This combination of photos shows album art for "Sometimes, Forever" by Soccer Mommy, left, and "Growin' Up" by Luke Combs. (Loma Vista via AP, left, and River House Artists/Columbia Nashville via AP)
— French Montana celebrates his sixth studio album, “Montega.” His first single “Alcatraz” namechecks J. Lo, Kay Flock, Joe Rogan, Dr. Dre, James Harden, Nelly, DaBaby, Steve Jobs and Yo Gotti. French Montana’s last studio album, “They Got Amnesia,” peaked at No. 23 on the Billboard US Top R&B/Hip-Hop Album chart and No. 59 on the US Billboard 200 chart. French Montana will hope to better that this time, riding the new singles “Drive By” featuring Baby Face Ray, and “Blue Chills,” with the line: “The version of me in your mind is not my responsibility.”
— Country star Luke Combs will release his his new album, “Growin’ Up,” on Friday, kicked off by the regretful, mid-tempo lament “Tomorrow Me,” about a lover the next morning a tad worried about what happens tonight. Produced by Combs, Chip Matthews and Jonathan Singleton, “Growin’ Up” is Combs’ third studio album following 2019’s “What You See is What You Get” and “This One’s For You.” The new record consists of 12 songs, including Combs’ current single, “Doin’ This,” a sweet ode to musicians who don’t do it for fame or fortune.
— AP Entertainment Writer Mark Kennedy
TELEVISION
— Mark Twain, meet Jon Stewart. The former “Daily Show” host, political gadfly and activist receives the Kennedy Center Mark Twain Prize for American Humor in a special airing Tuesday on PBS. Dave Chappelle, Stephen Colbert and John Oliver are among the peers who salute him in the pre-taped ceremony, with Bruce Springsteen offering a musical tribute. There are jokes and loving barbs aplenty for Stewart, along with reflections on his contributions. Chappelle calls it “a miracle to watch you work. You are a cure for what ails this country.”
— In “Gordita Chronicles,” the pursuit of the American dream isn’t all that dreamy for a youngster uprooted from Santo Domingo by her father’s job transfer to 1980s Miami. The 10-episode, coming-of-age comedy, which debuts in full Thursday on HBO Max, stars Olivia Goncalves as Cucu “Gordita” Castelli, with Juan Javier Cardenas and Diana Maria Riva as her parents and Savannah Nicole Ruiz as her status-conscious big sis. Eva Longoria directed the pilot episode and is an executive producer for the series.
— The so-called awards season is endless, as the Daytime Emmys and BET honors are here to attest. Nominees for the Daytime Emmy Awards, airing Friday, on CBS, include dramas “The Bold and the Beautiful” and “Days of Our Lives.” The ceremony’s hosts are Kevin Frazier and Nischelle Turner of “Entertainment Tonight,” with Tamron Hall, Natalie Morales and Jerry O’Connell among the presenters. The top nominees for the BET Awards 2022 (Sunday) include Doja Cat, Ari Lennox and Drake. Taraji P. Henson will host the ceremony honoring Black achievement in music, TV, film and sports, with Sean “Diddy” Combs to receive a lifetime achievement award.
— AP Television Writer Lynn Elber
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Warner Bros. Pictures
Nothing is more cringe-worthy as a superfan of a certain movie than to see a Hollywood reboot or remake it in an unsuccessful way—some superfans may even consider successful remakes of their favorite film questionable—but like many things, the film industry is cyclical. And reworking legendary movies is nothing new. In fact, the first cinematic remake happened in 1896, when early cinema pioneers Auguste and Louis Lumière’s “Partie d’écarté,” a simple one-minute film of two men playing cards while they are served wine, was remade by director Georges Méliès as “Une partie de cartes,” and filmed right in Méliès’ own backyard (literally).
Through the years, movie buffs have moaned and groaned through countless remakes. Though the majority of them deserve to be moaned and groaned over, they already have a built-in fanbase and thus are a surefire way for studios to make money. Case in point: Disney’s live-action “Lion King” remake raked in $1.656 billion at the global box office. But for every “Lion King,” there is a “Flatliners” or “The Fog”—though more often than not remakes, even if they do respectable box office, are simply forgettable compared to the original. Anyone remember 2008’s remake of “The Day the Earth Stood Still?” (Look it up.)
Stacker surveyed the often-disastrous history of film remakes and found 25 diamonds in the rough. To qualify, the movie had to have at least a 7.5 IMDb user rating with 15,000 votes or a Metascore of 70 with at least seven reviews. Films are organized chronologically.
Read on to learn more about the 25 best movie remakes of all time. How do you think these stack up to the originals?
You may also like: Classic movie quotes that have broken into our daily vocabulary
Warner Bros. Pictures
Nothing is more cringe-worthy as a superfan of a certain movie than to see a Hollywood reboot or remake it in an unsuccessful way—some superfans may even consider successful remakes of their favorite film questionable—but like many things, the film industry is cyclical. And reworking legendary movies is nothing new. In fact, the first cinematic remake happened in 1896, when early cinema pioneers Auguste and Louis Lumière’s “Partie d’écarté,” a simple one-minute film of two men playing cards while they are served wine, was remade by director Georges Méliès as “Une partie de cartes,” and filmed right in Méliès’ own backyard (literally).
Through the years, movie buffs have moaned and groaned through countless remakes. Though the majority of them deserve to be moaned and groaned over, they already have a built-in fanbase and thus are a surefire way for studios to make money. Case in point: Disney’s live-action “Lion King” remake raked in $1.656 billion at the global box office. But for every “Lion King,” there is a “Flatliners” or “The Fog”—though more often than not remakes, even if they do respectable box office, are simply forgettable compared to the original. Anyone remember 2008’s remake of “The Day the Earth Stood Still?” (Look it up.)
Stacker surveyed the often-disastrous history of film remakes and found 25 diamonds in the rough. To qualify, the movie had to have at least a 7.5 IMDb user rating with 15,000 votes or a Metascore of 70 with at least seven reviews. Films are organized chronologically.
Read on to learn more about the 25 best movie remakes of all time. How do you think these stack up to the originals?
You may also like: Classic movie quotes that have broken into our daily vocabulary
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Metro-Goldwyn-Mayer (MGM)
- Directors: Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor
- IMDb user rating: 8.1
- Metascore: 92
- Runtime: 102 minutes
To many, the 1939 version of “The Wizard of Oz” is considered to be the original. And though buzz about a remake hit the internet in 2021, the iconic Judy Garland vehicle is actually the second film adaptation of L. Frank Baum’s 1900 fantasy novel “The Wonderful Wizard of Oz.” The first came in 1925. That silent film shares its name with its famous remake; the story, however, is drastically different—it focuses primarily on the Scarecrow character, who is a disguised farmhand from Dorothy’s family farm.
Metro-Goldwyn-Mayer (MGM)
- Directors: Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor
- IMDb user rating: 8.1
- Metascore: 92
- Runtime: 102 minutes
To many, the 1939 version of “The Wizard of Oz” is considered to be the original. And though buzz about a remake hit the internet in 2021, the iconic Judy Garland vehicle is actually the second film adaptation of L. Frank Baum’s 1900 fantasy novel “The Wonderful Wizard of Oz.” The first came in 1925. That silent film shares its name with its famous remake; the story, however, is drastically different—it focuses primarily on the Scarecrow character, who is a disguised farmhand from Dorothy’s family farm.
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Columbia Pictures
- Director: Howard Hawks
- IMDb user rating: 7.8
- Metascore: data not available
- Runtime: 92 minutes
It’s hard to believe a movie that came out in 1940 could be a remake, but “His Girl Friday” was the second film adaptation of Ben Hecht and Charles MacArthur’s play, “The Front Page.” The first was released in 1931 and retained the play’s original name. Both films have been added to the Library of Congress’ National Film Registry, but they are significantly different. In the play and first adaptation, the story focuses on a pair of male reporters covering the police beat. In “His Girl Friday,” the character of Hildy Johnson is played by a woman (Rosalind Russell), and the dynamic is shifted to that of a husband (Cary Grant) trying to win back his ex-wife.
Columbia Pictures
- Director: Howard Hawks
- IMDb user rating: 7.8
- Metascore: data not available
- Runtime: 92 minutes
It’s hard to believe a movie that came out in 1940 could be a remake, but “His Girl Friday” was the second film adaptation of Ben Hecht and Charles MacArthur’s play, “The Front Page.” The first was released in 1931 and retained the play’s original name. Both films have been added to the Library of Congress’ National Film Registry, but they are significantly different. In the play and first adaptation, the story focuses on a pair of male reporters covering the police beat. In “His Girl Friday,” the character of Hildy Johnson is played by a woman (Rosalind Russell), and the dynamic is shifted to that of a husband (Cary Grant) trying to win back his ex-wife.
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Paramount Pictures
- Director: Alfred Hitchcock
- IMDb user rating: 7.4
- Metascore: 76
- Runtime: 120 minutes
Not only is “The Man Who Knew Too Much” a remake but it’s also a remake made by the same director. Alfred Hitchcock decided to use the same title for two films; the first was released in 1934 and focused on a kidnapping plot. The 1956 version, starring Jimmy Stewart and Doris Day, features a significantly different plot and script, with its stars becoming embroiled in a murder scheme. When fellow filmmaker François Truffaut remarked that aspects of the remake were superior to the original in a 1967 interview, Hitchcock responded, “Let’s say the first version is the work of a talented amateur and the second was made by a professional.”
Paramount Pictures
- Director: Alfred Hitchcock
- IMDb user rating: 7.4
- Metascore: 76
- Runtime: 120 minutes
Not only is “The Man Who Knew Too Much” a remake but it’s also a remake made by the same director. Alfred Hitchcock decided to use the same title for two films; the first was released in 1934 and focused on a kidnapping plot. The 1956 version, starring Jimmy Stewart and Doris Day, features a significantly different plot and script, with its stars becoming embroiled in a murder scheme. When fellow filmmaker François Truffaut remarked that aspects of the remake were superior to the original in a 1967 interview, Hitchcock responded, “Let’s say the first version is the work of a talented amateur and the second was made by a professional.”
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Universal International Pictures (UI)
- Director: Douglas Sirk
- IMDb user rating: 7.8
- Metascore: 87
- Runtime: 125 minutes
Douglas Sirk’s version of “Imitation of Life” came out 25 years after the original film. Both movies were based on a 1933 novel of the same name, but the 1959 remake features some major changes from the original. The biggest is main character Lora Meredith’s road to fame: In the original, she becomes famous by commercially producing her Black maid’s waffle recipe, but Sirk didn’t think that would sit right amidst the civil rights movement, and so opted for his Lora (Lana Turner) to become a Broadway star instead.
Universal International Pictures (UI)
- Director: Douglas Sirk
- IMDb user rating: 7.8
- Metascore: 87
- Runtime: 125 minutes
Douglas Sirk’s version of “Imitation of Life” came out 25 years after the original film. Both movies were based on a 1933 novel of the same name, but the 1959 remake features some major changes from the original. The biggest is main character Lora Meredith’s road to fame: In the original, she becomes famous by commercially producing her Black maid’s waffle recipe, but Sirk didn’t think that would sit right amidst the civil rights movement, and so opted for his Lora (Lana Turner) to become a Broadway star instead.
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Jolly Film
- Director: Sergio Leone
- IMDb user rating: 7.9
- Metascore: 65
- Runtime: 99 minutes
“A Fistful of Dollars” is famous for a lot of reasons. It’s Clint Eastwood’s first leading role and was so successful that it birthed the immortal “Dollars Trilogy.” But the spaghetti Western is also infamously known for being an unofficial and unlicensed remake of Akira Kurosawa’s 1961 samurai film “Yojimbo.” Kurusawa’s studio, Toho, sued director Sergio Leone with a letter that read, “I’ve seen your movie. It’s a very good movie. Unfortunately, it’s my movie.”
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Jolly Film
- Director: Sergio Leone
- IMDb user rating: 7.9
- Metascore: 65
- Runtime: 99 minutes
“A Fistful of Dollars” is famous for a lot of reasons. It’s Clint Eastwood’s first leading role and was so successful that it birthed the immortal “Dollars Trilogy.” But the spaghetti Western is also infamously known for being an unofficial and unlicensed remake of Akira Kurosawa’s 1961 samurai film “Yojimbo.” Kurusawa’s studio, Toho, sued director Sergio Leone with a letter that read, “I’ve seen your movie. It’s a very good movie. Unfortunately, it’s my movie.”
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Filmverlag der Autoren
- Director: Rainer Werner Fassbinder
- IMDb user rating: 8.0
- Metascore: data not available
- Runtime: 92 minutes
“Ali: Fear Eats the Soul” is an homage to another film on this list, “Imitation of Life,” as well as Douglas Sirk’s other movies, namely “All That Heaven Allows.” The German film’s most overt nod in that regard is a scene where main character Emmi Kurowski’s son kicks in the television after finding out his mother married a North African. Not only is the television a major symbol in “All That Heaven Allows,” but the theme of children opposing their parents’ relationship rings true in both.
Filmverlag der Autoren
- Director: Rainer Werner Fassbinder
- IMDb user rating: 8.0
- Metascore: data not available
- Runtime: 92 minutes
“Ali: Fear Eats the Soul” is an homage to another film on this list, “Imitation of Life,” as well as Douglas Sirk’s other movies, namely “All That Heaven Allows.” The German film’s most overt nod in that regard is a scene where main character Emmi Kurowski’s son kicks in the television after finding out his mother married a North African. Not only is the television a major symbol in “All That Heaven Allows,” but the theme of children opposing their parents’ relationship rings true in both.
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Film Properties International N.V.
- Director: William Friedkin
- IMDb user rating: 7.7
- Metascore: 68
- Runtime: 121 minutes
“Sorcerer” is a remake of the 1953 film “The Wages of Fear,” but the nuances of William Friedkin’s thriller are much different than its French counterpart. Both stories focus on a group of outcasts tasked with transporting nitroglycerin through a formidable jungle landscape, but while “Wages” was heralded as a success upon release, “Sorcerer” was a flop. It has since, however, been considered something of an overlooked masterpiece.
Film Properties International N.V.
- Director: William Friedkin
- IMDb user rating: 7.7
- Metascore: 68
- Runtime: 121 minutes
“Sorcerer” is a remake of the 1953 film “The Wages of Fear,” but the nuances of William Friedkin’s thriller are much different than its French counterpart. Both stories focus on a group of outcasts tasked with transporting nitroglycerin through a formidable jungle landscape, but while “Wages” was heralded as a success upon release, “Sorcerer” was a flop. It has since, however, been considered something of an overlooked masterpiece.
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Solofilm
- Director: Philip Kaufman
- IMDb user rating: 7.4
- Metascore: 75
- Runtime: 115 minutes
Director Philip Kaufman was such a fan of 1956’s “Invasion of the Body Snatchers” that he wanted to make his own version of it. Movie buffs love to debate which version of the sci-fi horror film is better. The original is a chilling exploration of conformity and free will set in a sleepy town, while Kaufman’s explores what would happen if aliens invaded a bustling city like San Francisco. The story was subsequently remade as “Body Snatchers” in 1993 and “The Invasion” in 2007 with Nicole Kidman and a pre-007 Daniel Craig.
Solofilm
- Director: Philip Kaufman
- IMDb user rating: 7.4
- Metascore: 75
- Runtime: 115 minutes
Director Philip Kaufman was such a fan of 1956’s “Invasion of the Body Snatchers” that he wanted to make his own version of it. Movie buffs love to debate which version of the sci-fi horror film is better. The original is a chilling exploration of conformity and free will set in a sleepy town, while Kaufman’s explores what would happen if aliens invaded a bustling city like San Francisco. The story was subsequently remade as “Body Snatchers” in 1993 and “The Invasion” in 2007 with Nicole Kidman and a pre-007 Daniel Craig.
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Werner Herzog Filmproduktion
- Director: Werner Herzog
- IMDb user rating: 7.4
- Metascore: 79
- Runtime: 107 minutes
Werner Herzog’s “Nosferatu the Vampyre” pays tribute to two stories at once. The basic plot is based on Brom Stoker’s novel “Dracula,” but the director intentionally set out to make an homage remake of F. W. Murnau’s famous 1922 silent film “Nosferatu.” Herzog, who’s of German descent, considered the original to be the best film to ever come out of his home country and couldn’t wait to make his own version.
Werner Herzog Filmproduktion
- Director: Werner Herzog
- IMDb user rating: 7.4
- Metascore: 79
- Runtime: 107 minutes
Werner Herzog’s “Nosferatu the Vampyre” pays tribute to two stories at once. The basic plot is based on Brom Stoker’s novel “Dracula,” but the director intentionally set out to make an homage remake of F. W. Murnau’s famous 1922 silent film “Nosferatu.” Herzog, who’s of German descent, considered the original to be the best film to ever come out of his home country and couldn’t wait to make his own version.
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Universal Pictures
- Director: John Carpenter
- IMDb user rating: 8.2
- Metascore: 57
- Runtime: 109 minutes
“The Thing” is technically a remake of 1951’s “The Thing from Another World.” But where the original is only a loose adaptation of John W. Campbell’s 1938 novella “Who Goes There?” John Carpenter sought to make a film that more closely followed the source material. The movie didn’t exactly burn up the box office upon its initial release in 1982; however, in subsequent years, it became revered as one of the best sci-fi and horror flicks of all time. In fact, its popularity grew so much that a prequel of the same name was released in 2011.
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Universal Pictures
- Director: John Carpenter
- IMDb user rating: 8.2
- Metascore: 57
- Runtime: 109 minutes
“The Thing” is technically a remake of 1951’s “The Thing from Another World.” But where the original is only a loose adaptation of John W. Campbell’s 1938 novella “Who Goes There?” John Carpenter sought to make a film that more closely followed the source material. The movie didn’t exactly burn up the box office upon its initial release in 1982; however, in subsequent years, it became revered as one of the best sci-fi and horror flicks of all time. In fact, its popularity grew so much that a prequel of the same name was released in 2011.
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Universal Pictures
- Director: Brian De Palma
- IMDb user rating: 8.3
- Metascore: 65
- Runtime: 170 minutes
The 1983 version of “Scarface” is one of the most well-known gangster movies of all time, but so is the 1932 original, which was directed by legend Howard Hawks and proved a star-making role for Paul Muni. The films are remarkably similar given the fact that they take place 50 years apart; however, Al Pacino’s Tony Montana is notably more aggressive than the 1932 character. Fun fact: “Scarface” is the only remake to appear on the American Film Institute’s 10 Top 10 list as the original.
Universal Pictures
- Director: Brian De Palma
- IMDb user rating: 8.3
- Metascore: 65
- Runtime: 170 minutes
The 1983 version of “Scarface” is one of the most well-known gangster movies of all time, but so is the 1932 original, which was directed by legend Howard Hawks and proved a star-making role for Paul Muni. The films are remarkably similar given the fact that they take place 50 years apart; however, Al Pacino’s Tony Montana is notably more aggressive than the 1932 character. Fun fact: “Scarface” is the only remake to appear on the American Film Institute’s 10 Top 10 list as the original.
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20th Century-Fox // Getty Images
- Director: David Cronenberg
- IMDb user rating: 7.6
- Metascore: 79
- Runtime: 96 minutes
The 1958 version of “The Fly” closely follows the plot of the 1957 short story of the same name, but its remake is quite different than the source material. Though the basic premise is similar (a scientific experiment gone wrong), visually, Jeff Goldblum’s Seth Brundle undergoes a gradual metamorphosis, whereas the original’s main character André Delambre instantly turns into a fly-like creature. The original also focuses on the trial of Delambre’s wife, who is accused of murdering her husband, and in the 1986 version, Brundle is not married.
20th Century-Fox // Getty Images
- Director: David Cronenberg
- IMDb user rating: 7.6
- Metascore: 79
- Runtime: 96 minutes
The 1958 version of “The Fly” closely follows the plot of the 1957 short story of the same name, but its remake is quite different than the source material. Though the basic premise is similar (a scientific experiment gone wrong), visually, Jeff Goldblum’s Seth Brundle undergoes a gradual metamorphosis, whereas the original’s main character André Delambre instantly turns into a fly-like creature. The original also focuses on the trial of Delambre’s wife, who is accused of murdering her husband, and in the 1986 version, Brundle is not married.
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The Geffen Company
- Director: Frank Oz
- IMDb user rating: 7.1
- Metascore: 81
- Runtime: 94 minutes
“Little Shop of Horrors” is an adaptation of a 1982 off-Broadway musical of the same name, which is itself an adaptation of a 1960 film called “The Little Shop of Horrors” directed by schlockmeister Roger Corman. While the 1986 version stays true to the musical, it’s important to note the original movie is not a musical. A second remake has been in the works for years but remains on hold indefinitely.
The Geffen Company
- Director: Frank Oz
- IMDb user rating: 7.1
- Metascore: 81
- Runtime: 94 minutes
“Little Shop of Horrors” is an adaptation of a 1982 off-Broadway musical of the same name, which is itself an adaptation of a 1960 film called “The Little Shop of Horrors” directed by schlockmeister Roger Corman. While the 1986 version stays true to the musical, it’s important to note the original movie is not a musical. A second remake has been in the works for years but remains on hold indefinitely.
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Amblin Entertainment
- Director: Martin Scorsese
- IMDb user rating: 7.3
- Metascore: 73
- Runtime: 128 minutes
Both the 1962 original and 1991 remake of “Cape Fear” were based on John D. MacDonald’s 1957 novel “The Executioners.” Both movies follow the same basic storyline of ex-convict Max Cady out to exact revenge on lawyer Sam Bowden, but Robert De Niro’s portrayal of Cady in the 1991 remake is much more violent. Another notable difference is the strong Christian symbolism director Martin Scorcese and writer Wesley Strick add to Cady’s character.
Amblin Entertainment
- Director: Martin Scorsese
- IMDb user rating: 7.3
- Metascore: 73
- Runtime: 128 minutes
Both the 1962 original and 1991 remake of “Cape Fear” were based on John D. MacDonald’s 1957 novel “The Executioners.” Both movies follow the same basic storyline of ex-convict Max Cady out to exact revenge on lawyer Sam Bowden, but Robert De Niro’s portrayal of Cady in the 1991 remake is much more violent. Another notable difference is the strong Christian symbolism director Martin Scorcese and writer Wesley Strick add to Cady’s character.
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Universal Pictures
- Director: Martin Brest
- IMDb user rating: 8.0
- Metascore: 59
- Runtime: 156 minutes
“Scent of a Woman” is a remake of the 1974 Italian film “Profumo di donna.” Al Pacino famously stars as Lt. Col. Frank Slade, a blind, irritable war vet who forces the young man hired to look after him (Chris O’Donnell) to accompany him on what he sees as a final hurrah in New York City. Pacino did extensive research for the part, including observing behaviors at a school for the blind. His performance earned him his only Oscar for Best Actor.
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Universal Pictures
- Director: Martin Brest
- IMDb user rating: 8.0
- Metascore: 59
- Runtime: 156 minutes
“Scent of a Woman” is a remake of the 1974 Italian film “Profumo di donna.” Al Pacino famously stars as Lt. Col. Frank Slade, a blind, irritable war vet who forces the young man hired to look after him (Chris O’Donnell) to accompany him on what he sees as a final hurrah in New York City. Pacino did extensive research for the part, including observing behaviors at a school for the blind. His performance earned him his only Oscar for Best Actor.
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Warner Bros. Pictures
- Director: Steven Soderbergh
- IMDb user rating: 7.7
- Metascore: 74
- Runtime: 116 minutes
This all-star remake—boasting a cast including George Clooney, Brad Pitt, Matt Damon, and Julia Roberts—was so popular that it spawned a trilogy, as well as a female-led reboot, 2018’s “Ocean’s Eight.” The 1960 original featured the Rat Pack (Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop). Though both are heist movies, the conceit of the original is that former Army buddies collaborate to rob five casinos in one night, whereas Soderbergh took his version into a more straightforward crime-from-crime territory—all 11 principles are career thieves of one sort or another.
Warner Bros. Pictures
- Director: Steven Soderbergh
- IMDb user rating: 7.7
- Metascore: 74
- Runtime: 116 minutes
This all-star remake—boasting a cast including George Clooney, Brad Pitt, Matt Damon, and Julia Roberts—was so popular that it spawned a trilogy, as well as a female-led reboot, 2018’s “Ocean’s Eight.” The 1960 original featured the Rat Pack (Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop). Though both are heist movies, the conceit of the original is that former Army buddies collaborate to rob five casinos in one night, whereas Soderbergh took his version into a more straightforward crime-from-crime territory—all 11 principles are career thieves of one sort or another.
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Alcon Entertainment
- Director: Christopher Nolan
- IMDb user rating: 7.2
- Metascore: 78
- Runtime: 118 minutes
This remake came very quickly on the heels of the original 1997 Norwegian psychological thriller, starring Stellan Skarsgård. Al Pacino stars alongside Robin Williams and Hilary Swank in this version, which sets the action in remote Alaska. The film was generally well-received, though at least one critic saw a good Nolan film but a less-than-stellar adaptation.
Alcon Entertainment
- Director: Christopher Nolan
- IMDb user rating: 7.2
- Metascore: 78
- Runtime: 118 minutes
This remake came very quickly on the heels of the original 1997 Norwegian psychological thriller, starring Stellan Skarsgård. Al Pacino stars alongside Robin Williams and Hilary Swank in this version, which sets the action in remote Alaska. The film was generally well-received, though at least one critic saw a good Nolan film but a less-than-stellar adaptation.
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King Kong (2005)
- Director: Peter Jackson
- IMDb user rating: 7.2
- Metascore: 81
- Runtime: 187 minutes
King Kong is the original movie monster. The giant ape first appeared on film in 1933 and has since been immortalized in everything from comics to video games. The first “King Kong” remake, starring Jeff Bridges and Jessica Lange, came in 1976, on the heels of Steven Spielberg’s “Jaws,” which enlivened Hollywood’s appetite for the big tentpole picture. Then, in 2005, Peter Jackson tried his hand at rebooting the classic monster flick. His version became the fifth highest-grossing film of the year globally, and has since renewed interest in the creative property, spawning 2017’s “Kong: Skull Island” and 2021’s “Godzilla vs. Kong.”
King Kong (2005)
- Director: Peter Jackson
- IMDb user rating: 7.2
- Metascore: 81
- Runtime: 187 minutes
King Kong is the original movie monster. The giant ape first appeared on film in 1933 and has since been immortalized in everything from comics to video games. The first “King Kong” remake, starring Jeff Bridges and Jessica Lange, came in 1976, on the heels of Steven Spielberg’s “Jaws,” which enlivened Hollywood’s appetite for the big tentpole picture. Then, in 2005, Peter Jackson tried his hand at rebooting the classic monster flick. His version became the fifth highest-grossing film of the year globally, and has since renewed interest in the creative property, spawning 2017’s “Kong: Skull Island” and 2021’s “Godzilla vs. Kong.”
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The Departed (2006)
- Director: Martin Scorsese
- IMDb user rating: 8.5
- Metascore: 85
- Runtime: 151 minutes
“The Departed” may be one of the most critically acclaimed remakes of all time. Martin Scorsese’s crime thriller is loosely based on the real-life Boston Winter Hill Gang and is also a remake of the 2002 Hong Kong film “Infernal Affairs.” The movie took home four Oscars at the 79th Annual Academy Awards, including Best Picture and—finally, after five previous nominations—Best Director for Scorsese.
The Departed (2006)
- Director: Martin Scorsese
- IMDb user rating: 8.5
- Metascore: 85
- Runtime: 151 minutes
“The Departed” may be one of the most critically acclaimed remakes of all time. Martin Scorsese’s crime thriller is loosely based on the real-life Boston Winter Hill Gang and is also a remake of the 2002 Hong Kong film “Infernal Affairs.” The movie took home four Oscars at the 79th Annual Academy Awards, including Best Picture and—finally, after five previous nominations—Best Director for Scorsese.
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Lionsgate
- Director: James Mangold
- IMDb user rating: 7.7
- Metascore: 76
- Runtime: 122 minutes
“3:10 to Yuma” is a remake of the 1957 movie of the same name. Both Westerns were based on the 1953 short story “Three-Ten to Yuma” by crime writer Elmore Leonard. James Mangold’s 2007 version stays pretty true to the story, aside from Russell Crowe’s depiction of outlaw Ben Wade being much more psychopathic and chaotic than Glenn Ford’s in the original.
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Lionsgate
- Director: James Mangold
- IMDb user rating: 7.7
- Metascore: 76
- Runtime: 122 minutes
“3:10 to Yuma” is a remake of the 1957 movie of the same name. Both Westerns were based on the 1953 short story “Three-Ten to Yuma” by crime writer Elmore Leonard. James Mangold’s 2007 version stays pretty true to the story, aside from Russell Crowe’s depiction of outlaw Ben Wade being much more psychopathic and chaotic than Glenn Ford’s in the original.
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Overture Films
- Director: Matt Reeves
- IMDb user rating: 7.1
- Metascore: 79
- Runtime: 116 minutes
“Let Me In” is an English-language adaptation of the 2008 Swedish romantic horror film “Let the Right One In.” John Nordling and Carl Molinder, who produced the original movie, also produced the remake. Hammer Films asked original director Tomas Alfredson to helm the remake, but he rejected the offer, stating, “I am too old to make the same film twice and I have other stories that I want to tell.”
Overture Films
- Director: Matt Reeves
- IMDb user rating: 7.1
- Metascore: 79
- Runtime: 116 minutes
“Let Me In” is an English-language adaptation of the 2008 Swedish romantic horror film “Let the Right One In.” John Nordling and Carl Molinder, who produced the original movie, also produced the remake. Hammer Films asked original director Tomas Alfredson to helm the remake, but he rejected the offer, stating, “I am too old to make the same film twice and I have other stories that I want to tell.”
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Columbia Pictures
- Director: David Fincher
- IMDb user rating: 7.8
- Metascore: 71
- Runtime: 158 minutes
Another remake that came swiftly on the heels of the original bases itself on Stieg Larsson’s book “The Girl with the Dragon Tattoo,” published posthumously in 2005 to outstanding acclaim. So much so that a Swedish film called “Män som hatar kvinnor” (literal translation “Men Who Hate Women”) was released in 2009. Two years later, this English-language adaptation was released, starring Daniel Craig and Rooney Mara. Its modest box office returns quashed plans for a direct sequel, though a soft reboot/sequel was released in 2018 called “The Girl in the Spider’s Web,” which recast Claire Foy as the film’s main character, Lisbeth Salander.
Columbia Pictures
- Director: David Fincher
- IMDb user rating: 7.8
- Metascore: 71
- Runtime: 158 minutes
Another remake that came swiftly on the heels of the original bases itself on Stieg Larsson’s book “The Girl with the Dragon Tattoo,” published posthumously in 2005 to outstanding acclaim. So much so that a Swedish film called “Män som hatar kvinnor” (literal translation “Men Who Hate Women”) was released in 2009. Two years later, this English-language adaptation was released, starring Daniel Craig and Rooney Mara. Its modest box office returns quashed plans for a direct sequel, though a soft reboot/sequel was released in 2018 called “The Girl in the Spider’s Web,” which recast Claire Foy as the film’s main character, Lisbeth Salander.
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Warner Bros. Pictures
- Director: Bradley Cooper
- IMDb user rating: 7.6
- Metascore: 88
- Runtime: 136 minutes
Bradley Cooper’s “A Star Is Born” is the fourth time this tale has been brought to the silver screen. The 1937 original won an Oscar for Best Original Story (a category since discontinued by the Academy) and spawned remakes in 1954 (a comeback vehicle for Judy Garland) and 1976 (a smash hit for Barbra Streisand, which put the story in the world of rock ’n’ roll) before 2018’s iteration. The film received several Oscar nods, but it was the music that really got people talking. Cooper and Lady Gaga’s duet, “Shallow,” won Best Original Song at the 91st Annual Academy Awards.
Warner Bros. Pictures
- Director: Bradley Cooper
- IMDb user rating: 7.6
- Metascore: 88
- Runtime: 136 minutes
Bradley Cooper’s “A Star Is Born” is the fourth time this tale has been brought to the silver screen. The 1937 original won an Oscar for Best Original Story (a category since discontinued by the Academy) and spawned remakes in 1954 (a comeback vehicle for Judy Garland) and 1976 (a smash hit for Barbra Streisand, which put the story in the world of rock ’n’ roll) before 2018’s iteration. The film received several Oscar nods, but it was the music that really got people talking. Cooper and Lady Gaga’s duet, “Shallow,” won Best Original Song at the 91st Annual Academy Awards.
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Columbia Pictures
- Director: Greta Gerwig
- IMDb user rating: 7.8
- Metascore: 91
- Runtime: 135 minutes
Louisa May Alcott’s 19th-century novel has received a great number of adaptations in film, on stage, and on television. The first film adaptation came out in 1917. The 1933 version, starring Katharine Hepburn, was perhaps the first widespread success; the story was set to see the silver screen again in 1949—and yet again in 1994, as a vehicle for Winona Ryder and Susan Sarandon. Despite the story being told so many times, there is seemingly no lack of appetite for new interpretations—Greta Gerwig’s 2019 adaptation garnered six Academy Award nominations.
Columbia Pictures
- Director: Greta Gerwig
- IMDb user rating: 7.8
- Metascore: 91
- Runtime: 135 minutes
Louisa May Alcott’s 19th-century novel has received a great number of adaptations in film, on stage, and on television. The first film adaptation came out in 1917. The 1933 version, starring Katharine Hepburn, was perhaps the first widespread success; the story was set to see the silver screen again in 1949—and yet again in 1994, as a vehicle for Winona Ryder and Susan Sarandon. Despite the story being told so many times, there is seemingly no lack of appetite for new interpretations—Greta Gerwig’s 2019 adaptation garnered six Academy Award nominations.
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Dune (2021)
- Director: Denis Villeneuve
- IMDb user rating: 8.0
- Metascore: 74
- Runtime: 155 minutes
David Lynch’s 1984 interpretation of “Dune” may have bombed upon initial release, but it became, in the intervening years, a cult classic. Interest in Frank Herbert’s desert-scape epic never really waned, and director Denis Villeneuve’s remake, which is actually just the first part of a two-part series, not only found box office success despite the COVID-19 pandemic, it also scored big with the Academy, garnering six of the 10 Oscars for which it was nominated.
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Dune (2021)
- Director: Denis Villeneuve
- IMDb user rating: 8.0
- Metascore: 74
- Runtime: 155 minutes
David Lynch’s 1984 interpretation of “Dune” may have bombed upon initial release, but it became, in the intervening years, a cult classic. Interest in Frank Herbert’s desert-scape epic never really waned, and director Denis Villeneuve’s remake, which is actually just the first part of a two-part series, not only found box office success despite the COVID-19 pandemic, it also scored big with the Academy, garnering six of the 10 Oscars for which it was nominated.
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